【展览预告】国家艺术基金项目:人工智能时代 摄影图像的空间转换

海报

清华大学美术学院

国家艺术基金项目

人工智能时代 摄影图像的空间转换

2018 PHOTO - ADT

COMING IMAGE:

10.10(WED)-10.25(THU)

人工智能时代 摄影图像的空间转换

2018 PHOTO - ADT COMING IMAGE  

 

展览统筹/刘    锋

Coordinator/ Liu Feng

开幕时间/2018.10.15  10:00AM

Opening time / 2011.10.15 10:00AM

展览时间/10.10(WED)-10.25(THU)

Exhibition time/10.10(WED)-10.25(THU)

展览地点/清华大学美术学院B区学院美术馆

Venue/ Art Gallery of Academic of Art & Design,Tsinghua University , Beijing

参展艺术家/MariveVic、安吉尔、王拓、孙存明、Alina Tenser、P Seth Thomson、张金、胡农欣 、黄乖儿&汪润中、向帆、Industrial JP、周倩楠、Thibault Brunet、卢杉、方珉瑶、王庆松、Daphne Keramidas、Christine Dahl Helweg-Larsen、孙博涵、张永基、Gohar Dashti、梁半、Ronnie Wright、刘思麟、刘恒、马立军团队、李同、刘翔宇、苗冉&Marcello junior dino、陈荣辉、王川、Bobby Davidson、刘博艺、任曙林、姚璐、Jim Ramer、清华大学医学院团队、清华大学药学院团队、清华大学化学系团队

Artists participating / MariveVic, An Jier, Wang Tuo, Sun Cunming, Alina Tenser, P Seth Thomson, Zhang Jin, Hu Nung-Hsin, Huang Guaier & Wang Runzhong, Xiang Fan, Industrial JP, Zhou Qiannan, Thibault Brunet, Lu Shan, Fang Minyao, Wang Qingsong, Daphne Keramidas Christine Dahl Helweg-Larsen, Sun Bohan, Zhang Yongji, Gohar Dashti, Liang Ban, Ronnie Wright, Liu Silin, Liu Heng, Ma Lijun Team, Li Tong, Liu Xiangyu, Miao Ran&Marcello junior dino, Chen Ronghui, Wang Chuan, Bobby Davidson, Liu Boyi, Ren Shulin, Yao Lu, Jim Ramer, Tsinghua University School of Medicine, Tsinghua University School of Pharmacy, Tsinghua University Chemistry Department

主办单位/清华大学

Host/ Tsinghua University (THU)

协办单位/清华大学美术学院、清华大学美术学院摄影专业、清华大学新媒体影像艺术与公共环境应用硕士组

Co-organizer/Academy of Arts & Design, Tsinghua University、Department of Photography, Academic of Art & Desgin, THU

New Media Image Art & Public Environment Application Master's Program, THU

支持单位/国家艺术基金

Credit/ China National Arts Fund 

 

国家艺术基金2018年艺术推广资助项目

安吉尔(中国),不确定之物,2016,摄影 

      “简单图像奥秘”是清华大学美术学院主办的以摄影图像为主要线索的系列研究性学术展览。2015年在清华大学美术学院第一次展出、项目由学术研讨和展览两部分组成。第一届主题为 “简单图像奥秘——摄影、影像 、科技、新媒体术”。

 王庆松(中国),钢铁侠,影像

        展览主题旨在通过跨专业领域的对于摄影艺术的多媒体展示,来探讨随着新的图像捕捉设备和新图像社交生态的高速发展所引发的当代摄影艺术功能及价值的变化 ,特别是摄影作为重要的艺术媒介对于其他领域的影响和其超越视觉艺术范畴的当代社会价值可能性。

胡农欣(中国),Angel,影像

        展览展出多国知名艺术家 ,设计师、摄影师、戏剧导演、电影导演、空间气象学专家 、诗人、免疫细胞学专家、图形图像学家、科技哲学家、3D 摄影建模师创作的80 余件摄影作品。展览受到国内外相关领域专家的一致好评。国际研讨会发言人数25人,与会专家200余人。

 

任曙林(中国),八十年代中学生-无头三女,1983,摄影

The Mystery of Simple images” isa series of academic exhibitions held by Tsinghua University Academy of Fine Arts with photographic images as the main clue. In 2015, It was exhibit for the first time atAcademy of Arts & Design of Tsinghua University. The project consists of Two parts:

 "The Mystery of Simple images - Photography, Imaging, Technology, New Media". 

 

Thibault Brunet(法国),erritoires Circonscrits ,影像

The exhibition aimed to explore the changes in the function and value of contemporary photographic art as a result of the rapid development of New image capture devices and new image social ecology with cross? disciplinary multimedia presentations of photographic art, especially the influence of photography enjoyed as important art media on other fields and its potential of contemporary social values which transcends the visual arts category. 

 

陈悦(中国),基于超疏水的试剂芯片与PDMS细胞芯片的对准过程,摄影

Than 80 pieces of famous artists, designers, photographers, theatre directors, film directors, space meteorologists, poets, immunocytology experts, and graphic imaging scientists, technology philosophers, and 3D photo modelers. The exhibition has been well received by experts in related fields at Home and abroad. There were 25 speakers at the internatIonal seminar and more than 200 experts at the conference.

 

Alina Tenser(乌克兰),2015,影像,亚克力机械装置

        第二届展览主题为“如果艺术可以从新再来”,在2017年11月15 号 —12月15号作为17年“丽水国际摄影节”主题展展出。展览试图探讨信息时代的摄影作为艺术在当下社会将如何建构新的独立艺术语境,以及在新的文化语境中我们应如何阐释当代视觉思考与传统摄影成像之间的美学关系。

 

王川(中国),PXL X:松风图,摄影

The second theme was “The Mystery of Simple images—If Art Can Come Again”, which was exhibited as the 17th” LIshul International Photography Festival” theme exhibition from November lSth,2017 to December 2Sth,2017. The exhibition attempted to explore how the imagery of the Information Age, which was regarded as a kind of art, would construct a new independent art context, and how we should interpret the aesthetic relationship between contemporary visual thoughts and traditional photographic imaging in a new cultural context. This exhibition is the third session of the Mystery of Simple images Series.

 

MarieVic(法国),BLOWING RICCARDO,2018,影像

        本次国家艺术基金项目为简单图像奥秘系列展览的第三届,主题为“简单图像奥秘—人工智能时代摄影图像的空间转换”,是继上两届展览主题的又一次延伸讨论,旨在通过研究“摄影艺术”与“人工智能时代”到来以后关系的复杂性来探讨摄影作为艺术在面对新科技媒介介入后的图像美学延长体特征和与之而来的新的美学可能。

 

刘翔宇(中国),尘埃,摄影

       而在这个过程中传统摄影艺术的读图方法也会随着新的读图媒介呈现方式的改变而发生变化,拍摄过程本身以及新的读图逻辑的解构和重组是展览对于摄影从“平面呈现 ”到“物理空间占据”的一次新的实验与探索,在这个过程中新的成像技术的应用和由此产生的新的图像功能必将和当代社会的发展发生紧密的联系,所以今天摄影艺术面临的挑战必然是技术的革新和当代图像文化供需关系突变所产生的新的艺术维度的思考。

        展览将会在这样一个大的历史背景下探讨以下三个内容: 

1)如何面对新的科技介入后艺术格局的变化

2)从信息时代到人工智能时代读图方式和方法的变化

3)科技目标模糊化后摄影艺术策略的变化

        项目由展览和研讨会组成,将先后在清华大学、河北科技大学、天津美术馆展出。

 

P·Seth Thompson (美国),The apotheosis of edgar mitchell,2012,摄影

Exhibition, which has been supported by the National Art Foundation.The theme is “The Mystery of Simple images—Space Conversion of Photographic Images in Artificial IntelLigence Age”. This is another extended discussion following the themes of the Last two exhibltions.Tho exhibition will be held at Tsinghua University, Hebei University of Science and Technology, and Tianjin Art Museum. 

 

刘博艺(中国),基于柔性屏幕的交互设计探索,2018,影像

The aim is to explore the expended significance and new aesthetic possibilities of photography as a kind of art after the intervention of new technology media, by researching complex relationship between “photographic art” and “artificial intelligence era”. In the process, the reading method of the traditional photographic art will change with the variation of the method with which the new reading medium is presented. The Process of shooting and the new deconstruction and reorganization of the reading logic is a new experiment and exploration of the transformation from “planar rendering” to “physical space occupation”.

 

周倩楠(中国),Mermaid Can,2016,影像

Besides, the application of new imaging technology and the new image functions produced from it will establish close relationship with the development of society. As a result, today, the challenge of photographic art must be the progress of technology and the new artistic thoughts generated by the sudden change of supply and demand in contemporary image culture.

 

李同(中国),HighresScreenshot00009,2018,摄影

The exhibition wiLl explore the following three contents in such a large historical context: How to face the changes in the art pattern after the intervention of new technologies; Changes in the methods of reading from the Information Age to the ArtificiaL Intelligence Age; Changes in photographic art strategies after the blurring of scientific and technological goals.

艺术家简介/

排名不分先后 

“简单图像奥秘”第二季回顾/

如果艺术可以从新再来

 

If Art Can Start A New Again

        20世纪后的艺术由于资本做为文化的动力,艺术就“社会问题”的探究和“文化导向”的发掘,甚至是地域性艺术权利的争夺成为当代艺术的主要内容和评价坐标。在这个过程之中艺术功能凸显——这是它积极的一面。但随着艺术与资本、社会、政治关系越发的紧密,且当艺术逐渐成为当代文化思考判断输出方式时,导致它将成为资本和政治利用的工具,也最终导致它的附属特征。

策展团队/

贾默冉 周天 李艺潇 方珉瑶 邱艺芸 池紫薇 张晋 于星曼 陈柏廷 刘宇泽 陈玉萍 张若恬 温馨 陈卓颖 李庆宇 李航安 刘芳 孟珍 王紫薇 

Curator Team/Jia Moran/ Zhou Tian/ Li Yixiao/Fang Minyao/ Qiu Yiyun/ Chi Ziwei/ Zhang Jin/ Yu Xingman/ Chen Baiting/ Liu Yuze/ Chen Yuping/ Zhang Ruotian/ Wen Xin/ Chen Zhuoying/ Li Qingyu/ Li Hangan/ Liu Fang/ Meng Zhen/ Wang Ziwei 

地址/

清华大学美术学院美术馆B区学院美术馆

Art Gallery of Academic of Art & Desgin,Tsinghua University , Beijing

北京市海淀区清华大学校内,主楼东侧,近邻东南校门 

地铁路线/

13号线  五道口站,A(西北)出口出站。

15号线  清华东路西口,C(西南)出口出站。

公交路线/

五道口站 508、307、331、375、429、549、562、630、86、运通126。

清华东路西口 333、355、438、466、594、913、 运通110、快速直达专线82。